Nota Cappella Palatina

  1. 1 2 Ćurčić 1987, m/s. 125.
  2. 1 2 3 Ćurčić 1987, m/s. 139.
  3. ↑ Tronzo 1997a, m/s. 10.
  4. ↑ Tronzo 1997a, m/s. 143.
  5. ↑ Tronzo 1997a, m/s. 45–46.
  6. ↑ Tronzo 1997a, m/s. 144.
  7. ↑ Tronzo 1997a, m/s. 35.
  8. 1 2 Agnello, Fabrizio (2011). The Painted Ceiling Of The Nave Of The Cappella Palatina In Palermo: An Essay On Its Geometric And Constructive Features. Muqarnas Online, vol. 27, no. 1. m/s. 407. ISBN 9789004191105.
  9. 1 2 3 Agnello, Fabrizio (2011). The Painted Ceiling Of The Nave Of The Cappella Palatina In Palermo: An Essay On Its Geometric And Constructive Features. Muqarnas Online, vol. 27, no. 1. m/s. 414. ISBN 9789004191105.
  10. ↑ Grube, Ernst J.; Johns, Jeremy (2005). The Painted Ceilings of the Cappella Palatina. Bruschettini Foundation for Islamic and Asian Art. m/s. 7. ISBN 9781872843810.
  11. ↑ Britt, Karen C. (2007). "Roger II of Sicily: Rex, Basileus, and Khalif? Identity, Politics, and Propaganda in the Cappella Palatina". Mediterranean Studies. 16: 21–45. ISSN 1074-164X. JSTOR 41167003.
  12. 1 2 3 Booms, Dirk (2016). Sicily: Culture and Conquest. New York. m/s. 178–200.
  13. ↑ Britt, Karen C. (2007). "Roger II of Sicily: Rex, Basileus, and Khalif? Identity, Politics, and Propaganda in the Cappella Palatina". Mediterranean Studies. 16: 21–45. ISSN 1074-164X. JSTOR 41167003.
  14. ↑ Booms, Dirk (2016). Sicily: Culture and Conquest. New York. m/s. 178–200.
  15. ↑ Britt, Karen C. (2007). "Roger II of Sicily: Rex, Basileus, and Khalif? Identity, Politics, and Propaganda in the Cappella Palatina". Mediterranean Studies. 16: 21–45. ISSN 1074-164X. JSTOR 41167003.
  16. ↑ Booms, Dirk (2016). Sicily: Culture and Conquest. New York. m/s. 178–200.
  17. ↑ Britt, Karen C. (2007). "Roger II of Sicily: Rex, Basileus, and Khalif? Identity, Politics, and Propaganda in the Cappella Palatina". Mediterranean Studies. 16: 21–45. ISSN 1074-164X. JSTOR 41167003.
  18. ↑ Johns, Jeremy (Summer 2016). "Diversity by Design: The art of Norman Sicily is celebrated for its juxtaposition of Islamic, Byzantine, and Romanesque elements - a remarkable feat of cultural engineering that was a deliberate display of power by the island's ruler". Apollo Magazine LTD.: 80–85 – melalui JSTOR.
  19. 1 2 Tronzo 1997a, m/s. 19.
  20. 1 2 3 Tronzo 1997b, m/s. 110.
  21. 1 2 Ćurčić 1987, m/s. 142.
  22. ↑ Tronzo 1997a, m/s. 107.
  23. 1 2 3 Tronzo 1997a, m/s. 20.